Every Tuesday at nine an "Uitkijk Special"!
These carefully curated evenings change theme every two months. Four completely different films, one overarching theme: from Sexy Cinema to Czech New Wave; nothing is too crazy during the Uitkijk Specials. Be surprised by titles you've never heard of before, and immerse yourself in the warm bath of your favorite films.
Every Sunday (9:00 PM) De Uitkijk screens a beautiful Classic. Every month we choose the most beautiful, touching or most shocking from film history to show our loyal audience. From Fritz Lang's Metropolis to Agnès Varda's Cleo 5 à 7, and from Stanley Kubrick's The Shining to Michelangelo Antonioni's La Notte, you'll see them all come by during the Sunday Classic!
WINTER PROGRAMME 2025
In the darkest months of the year, December and January, De Uitkijk dedicates the final months of 2025 to films about a universal, human, yet elusive feeling: loneliness. During Winterreeks: Alone Again, we present a selection of films that each explore this theme in their own way. We follow characters who wander aimlessly through world cities, are stuck in routines, endure suffocating relationships, or desperately search for connection. While some try to escape loneliness, others learn to embrace it, yet all drift through a world that only amplifies their solitude.
From Ottinger’s flamboyant Berlin in Ticket of No Return to Antonioni’s bleak industrial landscapes in Red Desert; from the claustrophobic intimacy of Fassbinder’s The Bitter Tears of Petra von Kant to the spiritual voids in Reygadas’ Japón; from Hertzfeldt’s existential animated film, It's Such a Beautiful Day, to Downey Sr.’s satirical social critique Putney Swope.
Some, like Kieślowski’s Julie in Three Colours: Blue or Fellini’s hopeful Cabiria in Nights of Cabiria, seek a fresh start. Others, like the wandering men in Naked and An Elephant Sitting Still, teeter on the edge of despair. Béla Tarr depicts the loneliness of the end of times in The Turin Horse, while Hou Hsiao-hsien captures the melancholic rhythm of nightlife in Millennium Mambo. In contrast, social and institutional loneliness becomes painfully tangible in Black Girl (Ousmane Sembène) and The Death of Mr. Lazarescu (Cristi Puiu).
Together, these films do not offer a comforting answer, but rather provide a raw, poetic, absurd, quiet, tender, destructive, and sometimes even liberating glimpse into the world of the lonely.
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Happiness (1998)
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Ticket of No Return (1979)
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It's Such a Beautiful Day
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An Elephant sitting still (2018)
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Red Desert (1964)
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Naked (1993)
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Putney Swope (1969)
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Japón (2002)
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Millennium Mambo (2001)
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35 Shots of Rum (2008)
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The Bitter Tears of Petra von Kant (1972)
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Three Colours: Blue (1993)
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Black Girl (1966)
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Nights of Cabiria (1957)
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The Death of Mr. Lazarescu (2005)
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Still Life (1974)
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The Turin Horse (2011)
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Serpico (1973)
A SONG OF TWO HUMANS (1927)
SUNDAY CLASSIC DECEMBER
Every Sunday evening in December at 9:00 PM, we screen a classic film from before 1970. This month’s feature is A Song of Two Humans (1927).
A few years after his world-famous Nosferatu (1922), German Expressionist director F.W. Murnau made his first film in Hollywood. SUNRISE: A SONG OF TWO HUMANS (1927) won the very first Academy Award ever presented and is the Classic of the month for December.
SUNRISE is a story about both losing and rediscovering love. When a farmer falls in love with a woman from the city, he considers leaving his family. He is even willing to murder his wife in order to run away with his mistress. But his plan takes an unexpected turn. What follows is a journey through nature and city alike, with the goal of restoring his faith in love.
For this Expressionist masterpiece, Murnau pulled out all the stops—with the help of Hollywood’s checkbook. The extravagantly constructed sets and innovative filmmaking techniques are just as impressive nearly a century later. SUNRISE is the defining final flourish of the silent-film era. That’s how “classic” this Classic truly is.
November - December
The Final Cut
After years of dedicated service, the time has come for our beloved colleague of special programming, Inass, at De Uitkijk to reach a grand finale. With the approaching end of the year, this moment gives us the opportunity to reflect on the meaning of endings. With 'Final Cut', Inass has curated twelve exceptional films, each with remarkable endings, for one last time. Join us as we celebrate this era in spectacular style!
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The Working Class Goes to Heaven (1971)
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A Short Film About Love (1988)
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In the Realm of the Senses (1976)
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A Separation (2011)
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The Connection (1961)
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Time of the Gypsies (1988)
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The Devil, Probably (1977)
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Nashville (1975)
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When the Cat Comes (1963)
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Ordet (1955)
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Songs from the Second Floor (2000)
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The Brown Bunny (2003)